Marick Press Gets a Mention in Poets & Writers Magazine

Check it out: Small Press Points

Video: Jim Schley reads at the Marick Press Book Launch

Photos from the Marick Press Mini-literary festival's Friday night readings

Marick Press Authors, from left to right: Peter Conners, David Matlin, Derick Burleson, Sean Thomas (poolhall junkie) Dougherty, Susan Kelly-DeWitt and Jim Schley





Peter Conners reads from his new book, Emily Ate the Wind, against a backdrop of “urban art”





The words from Sean Thomas Dougherty’s new book, The Blue City, seem to flow through his fingers into his chest and out his mouth.





Marick Press authors chat under blushing green trees outside the Grosse Pointe Artists Center





Derick Burleson reads from Never Night, his new book shiny in the foreground.





With his new book As When, In Season in hand, Jim Schley tells us where he’s coming from.

Marick Press Mini-Literary Festival and Book Launch a Tremendous Success

It began Friday, May 2, a soggy spring evening saw writers from Alaska to Vermont gathered at the Grosse Pointe Arts Center to read for a captivated crowd. Friends old and new loitered on Kercheval Street. Wine was consumed. A palpable energy coursed through and outside the building and one and all were touched with the wonder of the event.

The next morning, fortified by a table full of snacks and a couple gallons of coffee, the authors dug in to a series of workshops. Topics covered: flash fiction, the craft of emotion, the metaphor as alchemy, reading poems from around the world, poetry writing: the poet as camera, the grammar of metaphor and making poems with the inner child. There was an amazing amount of knowledge being tossed about the room and the young poets in attendance drank it all in.

The clouds broke and the sun shone on the Tompkins Community Center at Windmill Pointe Park Sunday. Tables were lined with food, books and Marick Press authors. Ribbons were cut, poems read, music played and books signed. What started as a perfect day unfolded a perfect day.

Thanks to the Marick Press authors and staff. And a special thanks to all of you that came out for readings, participated in the workshops and helped to launch our five new titles. Your support is invaluable.

Check this blog frequently. We’ll be bringing out many photos and videos captured throughout the weekend.

And please, post your comments here. Let us know how you felt about the mini-festival.

Review of Peter Conners, Emily Ate the Wind in the Brooklyn Rail

...each short prose piece seems to speak in its own language, each gives a view of its subject as seen from blindingly close range, and since many of the stories read at first as departures from the main narrative, the expanding implications revealed on a subsequent pass form a wide wholeness that books twice its length rarely achieve.

Read all of John Colasacco's review of Emily Ate the Wind in the Brooklyn Rail

Robert Lipton: A Complex Bravery

HOMER AT THE HOT DOG STAND

Chafing, raw, reddened skin
from fiction the man tells me
all chicken fried and coated with sun.
I’m surrounded by him
like the atmosphere of a dying planet.
He was here before mathematics
before the first winter collecting
so many layers of blue
or before a brother had large teeth
enough to kill his twin.
I had little on offer
simply considered splitting the Pringles
and Slurpees, too shell-shocked to talk
or to feed my child the last little dollup
of Gerber’s yams.
The man was all sepulchral
as he described a war drenched in red sunsets
a “blood red that is not blood”
or of the mountain of three goddesses
sans goddesses.
He shakes his head as my child screams
Do you charge for that baby?
he winks, the baby starting to hum
not like an opera singer
but like a washing machine
something to calm the parents.
Even after all this
there is a singing about paradise.




Buy the book

“This is the book of childhood, love and war. Lipton’s poems are a gang that takes no prisoners: his voice is direct, his tone is clear, his diction is ironic — but his irony is earned and felt-through. The manuscript is a book of elegies that refuse to go mourning without at least a little bit of protest. Whatever his loss is, Lipton’s voice’s always quirky and alive, always ready to report the world straight to us, without patronizing, for “this battle is parent by parent / and I have homework to do.”
—Ilya Kaminsky, author of Dancing in Odessa and Musica Humana

Robert Lipton is the author of Bearing Witness in the Promised Land. In: Live from Palestine (South End Press). His stories and poems have appeared in a wide range of literary journals, both on and offline, including Echo 681, Interbang, Jacaranda Review, Squaw Valley Review, King Log, Shades of Contradiction, The Texas Observer and Parthenon West. He has received grants from Berkeley Community Arts and Alameda Community Arts Programs, was for seven years poetry workshop leader at Berkeley Art Center.

Festival of New European film and writing at Oakland University May 9-10, 2008

Oakland University and Absinthe: New European Writing will host a festival of new European film and writing at Oakland University in Rochester on May 9-10th, 2008. All festival events are free and open to the public.

The festival will commence on Friday evening, May 9, with a presentation of short films from Europe by the Ann Arbor Film Festival, readings by the poets Eamonn Wall and Valzhyna Mort, and a silent auction to benefit the festival. Desserts and drinks will be provided, and door prizes will be raffled off throughout the evening. In addition, the first 100 guests will receive a free copy of the current issue of Absinthe: New European Writing.

Eamonn Wall was born in Enniscorthy, County Wexford, Ireland. His poetry has been published widely in Ireland and in the U.S. His books include Dyckman-200th Street, (Salmon, 1993), Iron Mountain Road (Salmon, 1997), and The Crosses (Salmon, 2001).

Valzyhna Mort was born Valzhyna Martynava in 1981 in Minsk, Belarus. She will read from her recently published collection Factory of Tears.

On Saturday, May 10, from 10:00 am until 10:00 pm, the festival will screen three award-winning European feature films, along with readings by the Detroit-area translators Keith Taylor, Marilynn Rashid, and Doris Runey, and Polish poet Piotr Sommers with Chicago-based translator Bill Martin. The films will be preceded by a selection of short films by Oakland University students.

10:00 AM--A screening of the German film Yella-a metaphysical thriller crafted by acclaimed writer-director Christian Petzold. The title role is played by Nina Hoss, who was awarded the 2007 Berlin Film Festival's Silver Bear for her performance.

12:30-1:00--Lunch will be provided for festival attendees

1:00 PM--A reading by the Detroit-area writers and translators Doris Runey, Keith Taylor, and Marilynn Rashid.

2:00 PM--A screening of the Romanian film The Way I Spent the End of the World-this film appeared at several film festivals, including the Toronto International Film Festival, the Berlin International Film Festival, and the Cannes Film Festival.

4:30 PM--A reading by Polish poet Piotr Sommer and translator Bill Martin

Piotr Sommer is a poet and translator of contemporary English-language poetry, including the work of Frank O'Hara, John Ashbery, Robert Lowell, and many others. He has published several dozen books of poetry, literary criticism.

7:00 PM--A screening of the Russian film The Island-this film was shown at several film festivals, including the Toronto International Film Festival, the Venice International Film Festival, the Sundance Film Festival, and the London Film Festival, and was awarded five major Nika Awards (Russian Oscars).

Presentation of The Island is generously underwritten by the Council of Orthodox Christian Churches of Metropolitan Detroit (COCC)-Promoting Orthodox Christianity since 1957.

The Oakland University/Absinthe Festival of New European Film and Writing is supported by the Michigan Council for Arts and Cultural Affairs and Oakland County Arts & Culture.

Additional information, including the full festival schedule is available at www.absinthenew.com/pages/OUConference.html or by contacting Dwayne D. Hayes, editor of Absinthe: New European Writing at dhayes@absinthenew.com.